

Predictably, the partial rights withdrawal option is strongly supported by PROs and major publishers. This is a cause for concern for PROs, as complete resignation by major publishers could undermine the viability of the entire US collective licensing regime.Īs part of the present DOJ review, over 240 organizations and individuals have submitted public comments in relation to potential modifications to the consent decrees. The publishers are now warning that if the consent decrees are not modified to allow them to partially withdraw their rights, they would leave ASCAP and BMI altogether.
#Universal database bmi ascap free#
Being free from extra regulations that come with collective licensing would strengthen the bargaining position of the publishers and would allow them to negotiate higher royalties with digital music platforms. The recent unprecedented growth in the revenues of digital media services has prompted major music publishers, such as Sony, Universal and EMI, to consider licensing digital services directly, while leaving the traditional forms of music exploitation to be administered by PROs. This provision, recently interpreted by the US courts as requiring publishers to either use PROs for administering their public performing rights for all purposes or for none at all, is one of the main reasons behind the present review. In addition, the PROs are prohibited from discriminating against similarly situated users.
#Universal database bmi ascap pro#
If a user and a PRO are unable to come to an agreement on a licence fee, the decrees specify that a reasonable rate should be set by a “rate court”. For example, both PROs must grant blanket public performance licences over their entire repertoires to any user who asks for one. As a result, since 1941 ASCAP and BMI have been governed by antitrust consent decrees, which limit their licensing practices in a number of important ways. As natural monopolies who possess enormous bargaining power through controlling the rights over the vast majority of the US music works, both PROs have been subject to antitrust lawsuits. The organizations administer public performance rights and collect royalties on behalf of over 90% of US songwriters and music publishers. (P) Universal - PolyGram International Publishing & Bon Jovi Publishing, Sony/ATV Tunes LLC/Aggressive Music and WB Music Corp.Last year the US Department of Justice (DOJ) announced that it was opening a review of antitrust consent decrees that govern the activities of two major US performing rights organizations (PROs): the American Society of Composers and Publishers (ASCAP) and Broadcast Music Inc. Lost Highway 4'07'' (video, recorded live in 2008 on July 15th Madison Square Garden, NY) lyrics (P) Universal - PolyGram International Publishing, Bon Jovi Publishing, Aggressive Music & Zomba Music Publishing ASCAP 2000Ġ7. Written by: Jon Bon Jovi, Richie Sambora & Max Martin It's My Life 3'52'' (video, recorded live in 2010 on May 26th Meadowlands Sports Complex, NJ) lyrics (P) The Island Def Jam Music Group, a Division of UMG Recordings, Inc. Because We Can - Behind The Scenes 6'21'' (video) Because We Can 4'03'' (video, The Beginning: Epilogue) lyricsĠ5. Because We Can 4'02'' (video, Astrid: Act 2) lyricsĠ4. Because We Can 4'14'' (video, The Boxer: Act 1) lyricsĠ3. Because We Can 4'04'' (video) lyrics YouTubeĠ2. d/b/a Luke and Fat Elvis Music BMI 2012Ġ1. (P) Aggressive Music ASCAP / Luke Ebbin Productions Inc. Every Road Leads Home To You 4'40'' lyrics YouTube Not Running Anymore 4'43'' lyrics YouTubeġ7. (P) Bon Jovi Publishing / Universal Polygram International Publishing ASCAP 2013ġ5. Room At The End Of The World 5'02'' lyrics Sony/ATV Tunes LLC ASCAP and Kobalt Music/Destonia ASCAP 2013ġ1. (P) Bon Jovi Publishing / Universal Polygram International Publishing / Aggressive Music Corp. Written by: Jon Bon Jovi, Richie Sambora & Desmond Child That's What The Water Made Me 4'25'' lyrics

(P) Bon Jovi Publishing / Universal Polygram International Publishing and Pretty Blue Songs BMI 2013Ġ6. Sony/ATV Tunes LLC ASCAP and WB Music Corp./John Shanks Music ASCAP 2013 Written by: Jon Bon Jovi, Richie Sambora & John Shanks (P) Bon Jovi Publishing / Universal Polygram International Publishing and WB Music Corp./John Shanks Music ASCAP 2013 Sony/ATV Tunes LLC ASCAP and Pretty Blue Songs BMI 2013 Written by: Jon Bon Jovi, Richie Sambora & Billy Falcon Island, UICL-9104 - CD & DVD limited edition album.
